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Born January 20, 1946, in Missoula, MO, David Keith Lynch grew up the archetypal all-American boy: Originally intending to become a graphic artist, Lynch enrolled in the Corcoran School of Art in Washington, D.C., in 1963, falling under the sway of expressionist painter Oskar Kokoschka and briefly studying in Europe. By the early weeks of 1966, he had relocated to Philadelphia, where he attended the Pennsylvania Academy of Fine Arts and began his first experimentation with film.
The violence and decay which greeted Lynch in Philadelphia proved to have a profound and long-lasting effect, as his work became increasingly obsessed with exploring the dark corners of the human experience. From his first experimental student film (1967's Six Men Getting Sick) was awarded an American Film Institute Grant. The Alphabet, a partially animated 16 mm color film, followed later in the year, but Lynch soon turned away from the cinema to renew his focus on fine art. His next short film, The Grandmother, did not appear until 1970.
In 1972, Lynch began work on his first feature effort, Eraserhead. An instant cult classic, it was also a tremendous critical success, launching Lynch to the forefront of avant-garde filmmaking. Financed with the aid of boyhood friend Jack Fisk, a noted production... Next
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